Nigerian poet, dramatist and cultural visionary — weaving destiny, exile and redemption from the loom of African memory.
A life spent listening to elders, rivers and silences becomes, eventually, a body of work. Obani's words bridge cultural divides — from Ile-Ife to Lagos, from Toronto to New York — and remind us that storytelling is, finally, the longest form of love.
Born in the historic city of Ile-Ife and raised in Lagos, Obani's life began at the crossroads of myth and modernity. Yoruba cadences shaped his childhood — proverbs at dusk, drums in the distance, elders whose silences taught as loudly as their speech.
His writing weaves love, social justice, personal growth, and community. Across poetry, fiction and drama, he treats every page as ritual ground — a place where memory and imagination negotiate the meaning of being African in a global century.
Honored with titles such as Lisa of Ikare, Olugbon Asa of Ikire Ekiti, Jagunmolu of Sorobi Igbein, Aere Mayegun of Igando and Jagun-Mayegun, Obani has dedicated his work to safeguarding African heritage and re-introducing it to a new generation on their own terms.
From Theatre Centrik to the University of Kulture and DuduTv, Obani has built platforms where stage and screen become classrooms. His mythopoetic dramas — Ògún-Nírè, Ọmọ Orisha, Money — re-stage the questions our ancestors first asked of fire, iron, silence and wealth.
As Executive Producer of Kulturefest, he has carried Africa's arts onto international stages. Living between the United States and Toronto, Canada, he continues to draw inspiration from his Nigerian roots — proving that home is not a place but a frequency.
Greenlyte World — and its literary imprint GreenlyteQuill — is a cathedral built for storytellers: a publishing house, a stage, a digital library and a global community where African imagination is treated as the world-class resource it has always been.
From the rusted womb of forgotten shrines to the streaming screens of a connected world, Obani's voice carries the weight of a continent and the lightness of a song. To read him is to be invited inside a vast hospitality — where every reader is treated as kin.
Explore his Works